Over the past weekend had watched a Tamil movie -
Mozhi. It was a great great surprise - although I had read the review in the Vikatan, didn't really expect the movie to be great shakes. But was pleasantly, pleasantly surprised. During the movie and after the movie, I could clearly feel myself enjoying the story-telling - the movie was extremely well directed and well acted. The visuals were simple and good (with the whole family watching, identifying some of the locales in the foreign land :) ), pleasing, the backgrounds and the other supporting cast blending in nicely.
Essentially I saw the title "
Mozhi" (Language) indicating that the two main protoganists relate to two different languages - one the music that he plays and the other the silence, she always hears. The hero, Karthik is a musician by craft and Archana is deaf-mute. Karthik who sees Archana and falls for her show of guts even before he knows of her disablity. When his resolve becomes stronger once he discovers her disability, one doesn't feel, its 'that tamil movie thing'. For, in essence, Karthik comes across a very decent human being, who is sensitive to people who really need that touch. The interactions between the professor (who is stuck in the 1984 due to his son's accidental death) and Karthik have been very sensitively woven into the story. The sorrow that laces the interaction is
poignantly poetic. At one scene, when Karthik tries to reason with angry Archana, the professor intrudes with a 1984 non-sequitor. Karthik, for a fleeting nanosecond shows his annoyance as Archana walks away, but then stays with the professor to hear his story. Very beautifully done by the director, Radhamohan.
There are several such moments in the movie. Even Prakash Raj's comedy is not out of line. His comic inter-play with the association secreatary and off-the-cuff-oh-btw one-liners are very enjoyable and do not jar the story line like the regular comedy-track we see in other movies. PR should do more of this - comedy and production ;). Swarnamalya's role as Sheela is underplayed; inspite of my bias, I did believe she too did a decent job, particularly when she talks about her life to Karthik.
Karthik played by Prithviraj is aptly done. If you can pardon his accent, he has beautifully played his role to the T. No overt and overacted emotions, no wasted motions in his actions - very nicely done. Jyotika is very good in most places depicting the character that believes 'what one does not know will hurt you'; and just when Karthik draws her out, she retreats back behind the iron-curtain. She could have used her eyes better, given that she had no dialogue to fall back on.
Although the story ends predictably, you don't begrudge the ending as cinematic. At the end of it, you'd actually think it would be injustice if they don't get together.
The music, by Vidyasagar melts into the story. The editing is sharp with no extraneous scenes and keeping the storyline going. Even the bulb/bell thing that can appear quirky, gives you a touch of humor. In all, a great viewing that touched me in a way that I didn't expect. The taste still lingers on.
Infact, last week I was telling one of my friends that one way to get his young teen-age kids understand "values" is to get them to relate to a cause that is greater then themselves. That way they would realize how fortunate are we. I've told him that he should see this movie as a first step!
Essentially I saw the title "Mozhi" (Language) indicating that the two main protoganists relate to two different languages - one the music that he plays and the other the silence, she always hears. The hero, Karthik is a musician by craft and Archana is deaf-mute. Karthik who sees Archana and falls for her show of guts even before he knows of her disablity. When his resolve becomes stronger once he discovers her disability, one doesn't feel, its 'that tamil movie thing'. For, in essence, Karthik comes across a very decent human being, who is sensitive to people who really need that touch. The interactions between the professor (who is stuck in the 1984 due to his son's accidental death) and Karthik have been very sensitively woven into the story. The sorrow that laces the interaction is poignantly poetic. At one scene, when Karthik tries to reason with angry Archana, the professor intrudes with a 1984 non-sequitor. Karthik, for a fleeting nanosecond shows his annoyance as Archana walks away, but then stays with the professor to hear his story. Very beautifully done by the director, Radhamohan.
