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There are several such moments in the movie. Even Prakash Raj's comedy is not out of line. His comic inter-play with the association secreatary and off-the-cuff-oh-btw one-liners are very enjoyable and do not jar the story line like the regular comedy-track we see in other movies. PR should do more of this - comedy and production ;). Swarnamalya's role as Sheela is underplayed; inspite of my bias, I did believe she too did a decent job, particularly when she talks about her life to Karthik.
Karthik played by Prithviraj is aptly done. If you can pardon his accent, he has beautifully played his role to the T. No overt and overacted emotions, no wasted motions in his actions - very nicely done. Jyotika is very good in most places depicting the character that believes 'what one does not know will hurt you'; and just when Karthik draws her out, she retreats back behind the iron-curtain. She could have used her eyes better, given that she had no dialogue to fall back on.
Although the story ends predictably, you don't begrudge the ending as cinematic. At the end of it, you'd actually think it would be injustice if they don't get together.
The music, by Vidyasagar melts into the story. The editing is sharp with no extraneous scenes and keeping the storyline going. Even the bulb/bell thing that can appear quirky, gives you a touch of humor. In all, a great viewing that touched me in a way that I didn't expect. The taste still lingers on.
Infact, last week I was telling one of my friends that one way to get his young teen-age kids understand "values" is to get them to relate to a cause that is greater then themselves. That way they would realize how fortunate are we. I've told him that he should see this movie as a first step!
2 comments:
I too saw this movie when it was off the theatres.. Good handling of the contrasts (music vs the handicap) in the script... No annoying lecturing and sentimental dialogues..
Though many people who saw the movie, thought Jyothika's character was unnatural in the vehemance shown, I would not say so. I have an uncle who is deaf and dumb. And I have seen his temper flare when we kids used to disturb his neat cupboard. The way anger comes out, when the voice is suppressed has to be seen to be understood.
And all the other bits, about kids staring at the two of them using sign language, was also natural, something my mom and uncle experience whenever they go in the public bus..
There is a scene in the song "kaatrin mozhi" where they dance on the pedestrian crossing to mimic a piano's keys.. Very thoughful, and very original..
A beautiful movie, with a good theme, essayed in a cool manner. But, our average movie goer, would appreciate the rustic (although crass at places) Chennai-28 or a insanely megalomaniacal Shivaji, or the stupidly hip Unnale unnale better than a neatly done Mozhi...
Whatever said and done, Prakashraj is fighting a silent battle for a lone cause, that of good cinema..
4Sol: Yep... clean movie. Couple of my colleagues have appreciated this movie too..
Didn't know about the temper though.
Btw, the Piano thing is slightly reminiscent of Tom Hanks in "Big"...
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